Winter 2017-2018 Lucky Pack Round Up!

I’m not doing so great this year, sorry guys. I’m really busy and really tired, but I wanted to try to get some of the info up. Please understand that this is an incomplete list, and not as detailed as past lists because I’m really exhausted.

Lucky Packs, or “Fukubukuro” (sometimes called “Lucky Bags”, “Happy Bags”, “Happy Packs”, “Happy Sets” or sometimes “Special Sets”) are blind bags of clearance merchandise that you can buy from Japanese stores at the end of the year. It’s believed that keeping old things into the new year is bad luck, so to get rid of all of last year’s clearance that didn’t sell in winter clearance sales, shops will put it in these blind bags and then sell them at a huge discount. It’s a great way to get a lot of brand new stuff for very cheap… as long as you like and fit into pretty much everything a brand makes. Be aware though; you will not get the best selling, most perfect item from the brand of your dreams. If they had a dud item this season, chances are that’s what you are going to get.

It’s become a little like “black friday” in the United States where some stores that don’t have great things to put on sale (maybe they just don’t have a lot of clearance) will often stock a limited number of a specific item just for these sales. In these cases, they usually call them “Special Sets”, instead of “Lucky Packs”. These bags can contain either all items that were made just for these sets, or a mix of special items and clearance. Baby the Stars Shine Bright and Angelic Pretty both design new prints for their new years special sets. While Metamorphose is known to use leftover material to make skirts and dresses in simple patterns.

The list got super long in the last few last years, so I’m including a quick-jump list. Brands in the quick jump list which do NOT have links, had lucky packs last year, but have not yet posted lucky pack info for this year. I’m not including anything outside of Japan this year (at least not yet).

Japanese Brands

ALGONQUINSAlice and The Pirates | Angelic PrettyBaby the Stars Shine Bright | Enchantlic Enchantilly | GrimoireInnocent World |  Listen Flavor | Liz Lisa | Marble | Metamorphose  | Milklim | PutumayoSwan Kiss | TOXIC STAR | Wrouge | Victorian Maiden


Japanese Brands



Alice and The Pirates

See: Baby The Stars Shine Bright


Angelic Pretty [Source]

December 1st- Tokyo Shop
December TBA – All others

Angelic Pretty Lucky Pack TOY HARMONY


Set includes JSK, Socks, Petticoat and headbow. 3 colors: Pink, Sax, Black

Baby the Stars Shine Bright [source]

Baby the Stars Shine Bright Lucky Pack

通販限定!アウター入り プレミアムハッピーパック/ Online Limited Outer PREMIUM happy pack – 54,000 yen

17:00 on December 8th

BABY original pattern jumper skirt
PIRATES original pattern jumper skirt
BABY original pattern skirt
Original pattern bonnet

Some items are special products for this pack,
so they have not the same as stock items.
The choice of the color and the items are unacceptable.
It’s not a coordinate set.


Enchantlic Enchantilly

125609960 125609960_o1


2018 Happy Lucky Bag – Payment by paypal – ¥ 22,680

More released on wunderwelt for international! 

HappyBag special unreleased item! It is a luxurious lucky bag containing about 6 items around items total of about 30,000 yen equivalent of dress and set socks entered.

Selling price 21,000 yen (tax excl. Price)
Final Price: 22,680 yen (tax included price) (+Free shipping)

Contains a OP with shirring in the print teased in the close up
Length: 100 cm (BNP ~)
Bust: ~ about 100 cm
West: ~ about 90 cm
Skirt Length: about 55 cm

Two color options, Black and Wine

Shipping is within Japan only, so use Tenso if you want it. There is a listing for bank transfer payment as well, but most people are going to want to use paypal if they are overseas.



Info here:

Innocent World







Listen Flavor [Source]





Liz Lisa [source]

December 1st


【☆ LIZ LISA × MyMelody ☆ bags】
 ¥ 30,000 + TAX

☆ LIZ LISA × MyMelody ☆ Lucky bag detail page is here ♪

LIZ LISA and My Melody ‘s lucky bags that are sold out every year also appear this year!
What a lucky bag limited me Mero!
Dress up with a twin ribbon ♪
A pose looking up from the bouquet
Rare poses never seen before!
It looks like strawberry milk

Pink × Mai Melo’s original pattern is too cute ☆

To my thumbstack carry bag that can also be used for travel
My throat pattern one piece,
knit cardigan,
Knit tops,
My throat pattern skirt,
Inner camisole,
7 points of Mai Mero Charm! !
Luxurious set that can enter a lot and can coordinate 2 ☆


【2018 New Year Lucky Bag ☆】
¥ 12,000 + TAX

Lucky bag that filled in popular item of LIZ LISA ♪

BIG Tote Bag with LIZ LISA logo
There is no doubt that this winter is still active
Flower pattern one piece,
Knitted dress,
4 pieces of inner camisole entered! !
2 Happy set that can be coordinated ☆




Metamorphose [Source]

☆Metamorphose Winter Special Set 2018☆
Pre-order start date: 5pm, December 20th (JST)


Lucky Pack A – 9,000 yen

No color selection
♥ 4 piece set ♥

– 1 skirt
– 1 bloomer
– 1 or 2 accessories
* The accessory is randomly chosen
– 1 pair of socks
* the color is randomly chosen from 3 colors


Lucky Pack B – 6,000 yen

No color selection
♥ 3 piece set ♥
– 1 skirt
– 1 or 2 accessories
* The accessory is randomly chosen
– 1 pair of socks
* the color is randomly chosen from 3 colors


Regimental Stripe Ribbon Shirred Dress Set – 16,000 yen

2 colors, green or grey
♥ 3 piece set ♥
– 1 shirred dress
– 1 pair of ribbon clips
– 1 pair of socks


Snow Party High Waist Dress – 16,000 yen

3 colors (red, navy, black)
♥ 3 piece set ♥
– 1 high waist dress
– 1 logo ribbon clip
– 1 pair of socks


Snow Party Ribbon Shirred Dress – 16,00 yen

3 colors (red, navy, black)
♥ 3 piece set ♥
– 1 Shirred pinafore dress
– 1 pair of ribbon clips
– 1 pair of socks




PUTUMAYO / Putumayo 2018 Lucky bag (2018 LUCKY BAG)

price: ¥ 10,800 (tax not included ¥ 10,000)
Sales period: December 01, 2017 10:00 – December 10, 2017 23:59
Including new volumetric frill skirts, a total of 40,000 yen ~ 50,000 yen equivalent items included Otoku lucky bags ★ 10,800 yen (including tax)
Because it will be limited quantity, sooner!

※ The color of the volley frill skirt can not be chosen.

Size: Ladies size M


PUTUMAYO_75240034b PUTUMAYO_75240034i PUTUMAYO_75240034p

Already sold out, sorry guys

Swan Kiss








Victorian Maiden


Happy Bag – 32,400 yen

Contains a ¥ 64,800 value, ships at the end of December.


Beth Happy Bag – 10,800 yen

Contains a ¥ 21,600 value, ships at the end of December.


Happy Bag – 54,000 yen

Contains a  ¥ 108,000 value. Will ship at the end of december.


Lolita Blog Carnival : What Would You Find Appealing To Have in A Con For Lolita Fashion?

This is actually last week’s Lolita Blog Carnival topic; but somehow, between packing for my move, visiting my family and attending a baby shower, I totally missed out on getting the entry written. However, I really wanted to write about this topic. So, some background; I’ve been interested in lolita since 2008/2009 ish. I’ve attended Otakon and Katsucon fairly regularly since then. I also attended Frill every year it existed, and Rufflecon every year so far (though sadly, I won’t be able to make it this year). I’ve also attended a handful of large meetups and parties, like the recent East Coast Mega Meet and Nightfall.

So what things make for a great event? Here are some of my favorite things to see at conventions / events, what I like and don’t like about them, and some things that I don’t think add much value.

Swap Meet / Consignment

I love being able to sell stuff to other lolita in person. Shipping is expensive. Listing stuff online is time consuming and requires you to really be on top of things 24/7. I’m busy. I work a lot. I don’t always have the time to take measurements, invoice someone and ship stuff the same day someone sees something on Lacemarket. I also like looking at items in person. That said, there are somethings I really hate about how Swap Meets and Consignment rooms I’ve done in the past have been done. First of all, I like consignment rooms more than swap meets because you don’t have to sit with your stuff and look at stuff at the same time. Also, I’ve never been to a swap meet that wasn’t actually breaking the convention rules and eventually broken up, moved or warned by the staff because we technically couldn’t do more than trade and someone somewhere had handed someone some cash. That said, my ideal consignment room would:

  1. Charge a flat fee or a percentage only on items sold
  2. Handle the checkout / buying via central checkout system, then pay out later
  3. Have an item tag template that I can fill out, print, and tag my items with at home.
  4. Be in a large space where you can walk around people who are looking
  5. Have some way to display accessories that isn’t a table / book case. Tables quickly dissolve into chaos. A wire grid wall + clothes pins + ziplocks makes things much easier to see
  6. Have good lighting!
  7. Have people who reset displays / racks if someone messes them up (though having good displays minimizes the need for this)
  8. Should be a given, but have clothing racks for the clothing!

Vendor’s Booths

One of the main reasons I attend lolita conventions is to buy from indie brands. Also, I help out my girlfriend with her sales booths a lot. I love seeing a wide variety of brands offering things for sale, especially brands which are hard to buy from or from overseas. That said, there are some caveats to this. The booths/tables need to be priced for what they are. While tables/booths do generate some revenue for an event, the price has to be reasonable compared to the profits the indie brands are going to make, and compared to the space they get. A table, with no option to put up a garment rack (so basically an AA booth), is terrible for selling clothes. It’s ok for accessories, but unless you are selling small necklaces and stuff you really can’t fit that much on a table. And unless someone is really good, they probably don’t have a very high profit margin on small accessories. That means they have to sell a lot of stuff to make up the table cost. A table with the option to bring your own garment rack is fine for a short event, or for a small brand. However, if the event is more than a few hours, an actual booth space is the best set up for indie brands, IMHO. That said, it takes time (and stuff) to set up a booth. A single booth at a convention like Rufflecon or Nekocon can take us ~5 hours to set up, because it involves hauling in and setting up the fixtures. For a 2-3 day event, with like a 8-ish hour sales day, it’s totally worth the effort because you can get a lot of merchandise out and well displayed, and that translates in to more sales. But it’s only worth it if the prices are reasonable for the larger booths.

Having a way for people to remote sell is great too, but only if there is someone who is standing in for the designer and merchandising the space. Frill had a remote vending room, but there was no one really actively making sure everything in the room was merchandised well, so things started to look messy pretty quickly.

On a side note, remote vending needs signage! People know and recognize the names of brands / indie brands, so having the names up is a draw. It’s also a way for the brands that are remote vending to get their name out there, so having signage (and ideally business cards or their web shop url) by their items can help potential customers learn their names and connect with them even if they don’t buy something during the event.


I like panels, but they need to be interesting and well done. Lolita 101 is fine for an anime convention, but I’ve seen some really clueless lolita 101 panels. I’d love to see Anime conventions reaching out to local lolita groups for input (we tend to know who among us are experts and who is a 14-year-old lolita-at-heart that hasn’t ever worn the fashion). That’s not to say that someone new to lolita can’t host a panel; but pairing someone newer who is enthusiastic with someone more experienced can help to avoid spreading common newbie misinformation.

For lolita specific events, I prefer workshops and “fun”/”game” panels to informational panels. The only thing is, every convention I’ve ever gone to that has workshops that I want to do, has always been full, or I’ve needed to be somewhere else at the same time. Informational panels also seem to take a really long time to put together presentations for. I’ve put together a few that had abysmal attendance, only to have people continue to ask me to put together more and more panels that require more and more research and prep. So, I guess, what I’d really like to see is more of a push towards panels that attendees actually care about!

Fashion Shows

I love brand fashion shows, and I love indie brand fashion shows, but please, please whoever is planning a fashion show out there, please have these things with the lights on! Fashions shows aren’t high school drama productions that need mood lighting, I want to see the clothes!

Also, I totally get that some conventions don’t have the budget for a stage, or guests or anything, but a fashion show that is just a handful of people wearing stuff out of their closets isn’t really my cup of tea. It can be a good intro for a 101 panel, and I guess people who are new to the fashion might find it interesting… but I find it boring. It’s basically a coord contest I can’t vote on, or a meetup where I can’t talk to anyone.

Skipping back to brand / indie brand fashion shows though, longer is not better. I’d much rather see a shorter fashion show that only features the best of the best than a show that goes on for hours and hours. I’ve seen some conventions try to mix up the stronger and weaker designers so that people will sit through the whole thing, and I while I get the sentiment of trying to be nice and create an audience for the less popular designers, from an audience member point of view, it’s cruddy. Last year at rufflecon I got sick from not eating and had to sneak out in the middle of the show to get lunch, and the year before I was over exhausted / over heated and left in the middle to change. Granted, I do have some health issues and I am running a rougher schedule than the average attendee (helping in a booth means getting up early, plus the extra physical labor), but still. I also wish the acts had been sorted out more; I sat through some things I didn’t really care about and missed some things I did because the show was just too long.

The other thing about fashion shows is that they eat up a lot of the model’s time at the event. Anything that can be done to mitigate that should be done, IMHO. Don’t make every model sit through every brand’s practice run if it means hours of sitting around, and report times can be staggered for a very long show too.

Which brings up another thing, there has got to be adequate space backstage for the models to get ready. So many convention fashion shows fail on this point. Another area where they tend to have issues is hair and makeup. Often conventions promise hair and makeup will be done by pros back stage, and then the day of it’s like two people trying to do up 50 models in an hour, and they aren’t getting paid for it. Also, mirrors, garment racks, non-messy snacks and water (especially if models are stuck backstage for hours and even more importantly if they miss lunch time or dinner time because of it), and electric outlets are so useful!

And random side note: bloomers or modesty shorts on everyone if there is a catwalk / stage. The audience sits lower than the models. We can totally see up their skirts. Please, please, models, wear bloomers.

Tea Parties

I think tea parties, as events in and of themselves are sometimes nice, and I like tea parties as a way to spend time up close with a designer from a brand, but when it’s a tea party tacked onto a convention, and there is not a designer guest, I really don’t care that much. I recently went to a mega meet that had a cafe selling food and tables set up and you just bought food and ate whatever, whenever. Nightfall, on the other hand, had a buffet. Both of those situations were great, IMHO. I always feel a tiny bit stressed at tea parties. I want to talk to people and be social, but you have to stay seated and courses just keep coming and going and if you don’t eat your scone right then, someone is going to whisk it away, and you spent $60 for this half sandwich, 4 strawberries, and three tiny pastries, so I mean, it’s really not the time to be talking and eating too slow and missing a course. And then, the tables are either tiny so you can only talk to like 3 other people, or so big that you have to talk quite loudly for people on the other side of the table to hear you.

I think part of the problem as well is that people just try to make tea parties way too big. I get that in a convention setting, a lot of people want to attend, but I’d rather see an event have two smaller tea parties (back to back or on separate days, either is fine) with the guests at both, then a huge, over full room.


I’ll attend concerts if they exist and the singer is good or a lolita model / designer, but I don’t really care about them that much. I think the only person I’ve seen that I really cared about was Anna Tsuchiya, and that was more because of how much I enjoyed the anime Nana when I was younger. I’d rather not see them at events though because I know they cost a lot and eat up a lot of the event budget.

Panels Run by Japanese Guests

I’ve been to so many panels that have titles like “Akira teaches you about Boystyle” or “Marketing and Branding with the Marketing Manager of Putumayo”, and you show up and the guest doesn’t seem to have any idea that they are supposed to be giving a presentation. I’d love to see panels like this, but the guests need to know ahead of time and be able to prepare a presentation (and they need to want to do it).

The other kind of panel run by a guest is a typical Q&A panel. There needs to be a strong translator for these, and a moderator. Let the audience ask questions, of course, but if the audience seems to be stuck, the moderator should jump in with a really interesting, strong question. Not “what is your favorite food”; prepared things at least as strong as stuff like “You use a lot of butterflies in your work, if there any special significance of this motif for you?” or “Can you tell us about the early history of your brand?”.


This is a kind of silly one, but I really like conventions where you can easily buy food without a long walk or a long line. I get tired a lot faster than the average person, and I tend to run myself ragged at conventions. It’s not uncommon for me to literally be blacking out at the end (or in the middle of) the day. Anything that makes it easier to get basic necessities like decent food, water, and rest is a plus in my book.

On the other side of this, I’ve had food available to me as a VIP attendee at some events, like Frill, but it was off in a specific place away from the main events and poorly advertised, so I didn’t get to take advantage of it, so it was a waste of money for me.

VIP Perks

Speaking of VIP perks, I’ve been a VIP at least one year at both Frill and Rufflecon. Things like early / VIP seating for the fashion show is usually a perk. It’s also one I’ve never gotten to use. I’m not going to ask someone to move out of a VIP seat when I come in late and non-VIPs have been able to move into VIP spaces, and I’m also not usually able to go into shows early because I help out. Same with VIP early access to vendor’s hall. I’ve typically been inside the vendor’s hall when it started, had to leave, queue up outside at the end of the line, and missed out. Or, when I haven’t been helping with a booth, you have to wake up early. I don’t like waking up early.  I distinctly remember showing up early for VIP shopping at Frill half dressed one year. Swag bags are also a thing. I love getting little things from Japanese designers. But random drugstore makeup and poorly made things from American indie brands are pretty “meh” as prizes, mostly because they are often things I don’t want. Nail polish or eye shadow I will never wear, that someone clearly spent some of my ticket money on, feels like a waste of money. Likewise, I’d rather buy something I like from an indie designer than get a canotier. I can’t pull off a canotier. I especially can’t pull off a completely flat canotier in navy x cornflower blue. (I believe I did pick dark blue for that one, but I had no idea what I was getting in dark blue). However, I have gotten event specific things, or small things handmade by Japanese designers and I absolutely adore those things!

Coordinate Contest, Scavenger Hunts and Card Exchanges

One year at frill there was a coordinate contest that you either entered by dressing up a mannequin or yourself, but it was themed, so you had to like pack extra clothing. It didn’t work very well, IMHO. I like coordinate contests by secret ballet at smaller events, but you really have to assign everyone a number or something. It’s rare for everyone to know everyone’s names. I don’t think this works well for a larger event though.

I love scavenger hunts and I think they are a great ice breaker! I especially like the ones where there is a prize. Not specifically lolita related, but Sailor Moon has been doing ones at Anime conventions where you have to find a specific cosplayer related to the company and get a card stamped and it’s super hard. I try so hard, but I always end up stuck in the dealer’s hall and it’s hard to find them all if you never leave! The megameet I went to earlier this month had one too and the prize was a little enamel pin; it was super cute.

I also really like calling card exchanges, but they seem to be a sort of old-school thing. I wish we could bring those back; I want to get little cards with everyone’s blogs and social media and stuff on them so I can follow them. ♥


Realistically, I care the most about designers of brands that I follow the most. It’s cool and all to have a guest who doesn’t come to many events but 9 times out 10, I’d rather see Maki and Asuka than someone who I don’t buy clothing from regularly. Also, I’m sick of seeing Misako. Akira, or Midori or Yura or Yuri instead, please!

Photo Area

By which I mean good lighting + a back drop +/- a photographer + some sort of sign that lets people know they can take photos or have their photo taken there for free (or for money if that’s the way it goes). I’m never certain when there is a photography set up at a convention if it’s a thing where you walk up and ask, or if the photographer is selecting people they want to photograph. I just want a coord photo to post to my FB or tumblr. Like, I’m totally realistic about the fact that I’m chubby and I take terrible photos, and I’m not really the sort of person any sort of fashion photographer cares about and I’m 100% ok with that. But like, I went to rufflecon for three years and never actually stumbled upon what exactly the photo area set up there was. Do they ask you? Do you ask them? Is it a photographer for the con? For simplicity? I haven’t the foggiest idea. XD

In closing, I’m getting old, and I’m grumpy and I’m tired,  so of course, take this with a grain of salt, but these are my rambling feelings about lolita conventions written at midnight, two days late. I’d say I’ll try to do better, but who are we kidding, I’ve been late to post like half of the LBC posts I’ve done.


545430_945698161629_573562109_nOther blogs participating in this theme:
Cupcake Kamisama’s Lolita World

52 Week Lolita Topic Challenge : How I First Found Out About Lolita

Today’s post from the 52 Week Lolita Topic Challenge is 10. How I first found out about Lolita. 

I used to do pixel art for a dress up doll website when I was younger. We took requests, and one of the requests we got was for lolita clothing, and so I started looking online for examples to use for artwork. I’m not 100% sure how exactly I ended up going from just admiring the fashion and drawing it really badly to actually being interested in it. I remember after I had gotten my first actual job after college I ran into two sites which had lolita clothing that wasn’t hundreds of dollars. One was the infamous Milanoo and the other was Bodyline. At the time, Milanoo was still stealing stock images, and I knew very little about lolita so I didn’t know that the images were actually stolen.

On milanoo I fell in love with this:

AP Stock Photo Stolen by Milanoo

“Cotton Red Sleeveless Front Lace Tie Sweet Lolita Top and Lace Skirt” Also known as Angelic Pretty’s “Pretty Bustier & Skirt Set” from 2008

And on Bodyline, I fell in love with the Candy Skirt. I actually liked it better in pink, but I had decided that getting it in blue was more likely to match with the bunny set which seemed like a very good deal.

                Bodyline Candy Skirt

After waffling back and forth, I ended up buying some things from Bodyline (mostly because it seemed like a better deal; I could get a dress and a blouse and a skirt and a petticoat for the same price as the milanoo set):
Bodyline Bunny Set   Bodyline Candy Skirtpan013-2

If I remember correctly, the skirt cost me $13, the petticoat (I can’t remember which one I got. I have Yellow, Sax and Dark Pink because I later bought more because it wasn’t fluffy enough alone) was $11, and I want to say the bunny dress set was either $25 or $31? So for under $60, I got two basic coords that needed only bags/shoes and leg wear. Unfortunately, the blouse looked absolutely awful on me, the detachable sleeves were like tents on my arms, and the bow was like helicopter propellers. I tried. It didn’t come out that well, but, at the end of the day, I hadn’t spent a ton so I wasn’t as horribly upset about things as I think I would have been if I’d spent over $100 for something that didn’t suit me.

I later went back to bodyline and bought a yellow high waist skirt, and a blouse with bunny ears in white. Then, from Quitieland I bought a sax star shaped purse and sax an*tai*na shoes.

90c4fbb4-58cd-5d26-9528-42e8d29a2321 8ef0545f-877c-5113-9894-6c3120474622

The shoes from an*tai*na actually were terrible, and I paid waaay too much for them when all was said and done, but I had a few pieces I could mix and match. I made myself some accessories, added some tights and knee socks from target and I wore these pieces occasionally around the house for a while.

Later I went to Otakon, though I was too shy to really meet any of the other lolita there. And sometime in the year following that I started buying second hand pieces from EGL Comm Sales. My first pieces of “brand” were bought the same week; two Angelic Pretty Skirts. The first was “Strawberry Picking” and the second was a gingham one.

dadf0460-d105-5dc4-8843-329b3719a329 f662b8c6-2f47-59ca-9759-a7026214f3f8_thumb

I made the terribly extravagant purchase of a pair of red x white bodyline shoes (red shoes! How much wear would I really ever get out of red shoes! Oh if only I had known….) and a strawberry shaped purse. Shortly after that I started bidding on items on mbok and Y!J auctions. I’m pretty sure I just bid on everything and anything that I thought might remotely fit me and was under $100. I ended up with a ton of main pieces really fast, but I didn’t really love most of them. In the end, I ended up selling most of them off a few years later. I also picked up some items from Taobao, though, most of those ended up getting sold as well.

It wasn’t until a good year or two after I started buying brand second hand that I actually went to my first meet up and joined my local community.

And I didn’t buy any main pieces new that weren’t on sale at all until Christmastime in 2012 when I caved and bought Toy March in Wine. I got the blouse, headbow and socks too, and I remember thinking it was super extravagant at the time. I still love that dress. After that, my buying habits changed a lot. I started buying more AP prints new (though I still bought a lot second hand too)


All-in-all, I think it’s interesting how my perceptions of what is and isn’t extravagant in lolita changed over the years. There were a few years where I’d buy 2 dresses per month (some new, some used) and I kept a lot of them for years. I’ve cut back my spending a lot over the last year; I’ve only bought one dress this year: Juliette et Justine’s Le Premier Cri, which hasn’t even come in yet, despite it being bought in February.

Some things have changed a lot over the years; when I started out, my coordinates were fairly simple, then they moved into decololi, and now, as I get older and more tired, they are sliding back to being more simple. One thing, however, has remained constant; I absolutely adore wearing red, even if it is a bit impractical.